Featuring works drawn from the Tony Ray-Jones archive in the National Photography Collection, and rarely seen early black and white photographs by Martin Parr, this exhibition will explore the relationship between these two important photographers and their fascination with the English.

Fascinated by the eccentricities of English social customs, Tony Ray-Jones spent the latter half of the 1960s travelling across England, photographing what he saw as a disappearing way of life.

Open for Business is the story of contemporary British manufacturing and industry told through the lens of nine Magnum photographers: Jonas Bendiksen, Stuart Franklin, Bruce Gilden, David Hurn, Peter Marlow, Martin Parr, Mark Power, Chris Steele-Perkins and Alessandra Sanguinetti.

They have photographed over 100 workplaces, from traditional, handmade crafts to modern, intelligent automation; from foundries and assembly lines to research laboratories and high tech cleanrooms, showing an economic sector of extraordinary resistance and diversity.

Copper Horses by Chris Harrison is a new exhibition reflecting on identity, class, British industry and the photographer's relationship with his dad.

When Chris was a boy he believed his dad was a deep-sea diver who had adventures every day. In reality his dad worked in a factory as a precision engineer.

By the time Chris had grown up he realised his dad wasn't an adventurer. Instead, like many others, he worked hard to provide for his family in a difficult, skilled and often underappreciated job.

The Home Front explores links between militarism, marketing and entertainment. Made over four years, this is the international premiere of photographer Melanie Friend’s major new exhibition.

The Home Front is a set of three related photographic series that together explore the civilian experience of war, with a particular focus on public air shows that take place at Royal Air Force bases, and in the skies above seaside resorts.